The first thing an author generally seems to have to do, to emancipate a child protagonist and let them do interesting things, is remove the parent figures
This is one reason I love Noel Streatfeild's Gemma: not only are the adults there, but they sit and listen to their children's concerns, take them seriously, and reflect back good advice.
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This is one reason I love Noel Streatfeild's Gemma: not only are the adults there, but they sit and listen to their children's concerns, take them seriously, and reflect back good advice.