Jun. 14th, 2010
I’ve been meaning to see this movie, ultimately released under the snappier title Get Carter, for years, and the other day I took my chance when I spotted it on VHS in a charity shop.
Actually, it was well worth watching, though artier and with a far slower start than I’d expected. I’m guessing that the title established the precedent for later revenge flicks such as Kill Bill and its 15- and PG-rated tie-ins, Kick Mick and Wedgie Reggie. But I have two questions:
1. Was it obligatory for British films of the early seventies to include a mildly hallucinatory sequence in which Britt Ekland pleasured herself? I mean, was it actually written into her contract, or what?
2. At what point after 1971 did the people of Newcastle develop Geordie accents? They certainly had them by the mid-‘80s, when I used to visit.

Actually, it was well worth watching, though artier and with a far slower start than I’d expected. I’m guessing that the title established the precedent for later revenge flicks such as Kill Bill and its 15- and PG-rated tie-ins, Kick Mick and Wedgie Reggie. But I have two questions:
1. Was it obligatory for British films of the early seventies to include a mildly hallucinatory sequence in which Britt Ekland pleasured herself? I mean, was it actually written into her contract, or what?
2. At what point after 1971 did the people of Newcastle develop Geordie accents? They certainly had them by the mid-‘80s, when I used to visit.

I’ve been meaning to see this movie, ultimately released under the snappier title Get Carter, for years, and the other day I took my chance when I spotted it on VHS in a charity shop.
Actually, it was well worth watching, though artier and with a far slower start than I’d expected. I’m guessing that the title established the precedent for later revenge flicks such as Kill Bill and its 15- and PG-rated tie-ins, Kick Mick and Wedgie Reggie. But I have two questions:
1. Was it obligatory for British films of the early seventies to include a mildly hallucinatory sequence in which Britt Ekland pleasured herself? I mean, was it actually written into her contract, or what?
2. At what point after 1971 did the people of Newcastle develop Geordie accents? They certainly had them by the mid-‘80s, when I used to visit.

Actually, it was well worth watching, though artier and with a far slower start than I’d expected. I’m guessing that the title established the precedent for later revenge flicks such as Kill Bill and its 15- and PG-rated tie-ins, Kick Mick and Wedgie Reggie. But I have two questions:
1. Was it obligatory for British films of the early seventies to include a mildly hallucinatory sequence in which Britt Ekland pleasured herself? I mean, was it actually written into her contract, or what?
2. At what point after 1971 did the people of Newcastle develop Geordie accents? They certainly had them by the mid-‘80s, when I used to visit.

In Which I Have a Blimp on my Shoulder
Jun. 14th, 2010 11:00 pmIn just over a year my department will be moving up to the main university campus, away from our shabby-picturesque mid-nineteenth-century site in Fishponds. I'm not particularly relishing the move, even though the facilities there are better. For a start, I always get lost (and I've been going there for twenty years now); but also, I find I often see things that make me want to write a letter to the Daily Telegraph beginning with the words "Why oh why". And I don't want to be that person.
Like today - I went to buy a coffee at one of the cafes there. Here's the scene, a bit out of focus I'm afraid,
( as I was being watched by the Coffee Cops and had to work fast )
And then there's this sign,
( outside a building where I had a meeting today )
Like today - I went to buy a coffee at one of the cafes there. Here's the scene, a bit out of focus I'm afraid,
And then there's this sign,
In Which I Have a Blimp on my Shoulder
Jun. 14th, 2010 11:00 pmIn just over a year my department will be moving up to the main university campus, away from our shabby-picturesque mid-nineteenth-century site in Fishponds. I'm not particularly relishing the move, even though the facilities there are better. For a start, I always get lost (and I've been going there for twenty years now); but also, I find I often see things that make me want to write a letter to the Daily Telegraph beginning with the words "Why oh why". And I don't want to be that person.
Like today - I went to buy a coffee at one of the cafes there. Here's the scene, a bit out of focus I'm afraid,
( as I was being watched by the Coffee Cops and had to work fast )
And then there's this sign,
( outside a building where I had a meeting today )
Like today - I went to buy a coffee at one of the cafes there. Here's the scene, a bit out of focus I'm afraid,
And then there's this sign,