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Back when your granny was a wee lass, there was a small railway station at Ashley Hill in Bristol, just where Ashley Down meets Purdown, and in the shadow of the Muller orphanages. It looked like this:

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Later, Dr Beeching (or a similar functionary, but let him stand for all, a la Judge Jeffreys) closed the station, and so it remained for many a year. The orphanages were by this time part of Brunel College, and were then converted to flats, while in their grounds had little houses built on them, in one of which I lived from 2006 until 2020. For much of that time, there was talk of re-opening the station under the name Ashley Down, and whenever it came up we were a little excited and a little nervous, but only a little because we never thought it would actually happen.

It did happen, yesterday. To celebrate the event, I took a two-minute journey from Stapleton Rd to visit the new, clean, yet untagged station. Not railway station, as in old-fashioned British English, not train station, as in US English, but "rail station". This is the shining new world we live in.

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I felt a little self-conscious, I admit, photographing train things like an otaku in an anorak, but I was far from alone. The only depressing bit was this bench-cum-misericord, presumably designed like this to deter homeless people (because if only we didn't encourage them they wouldn't insist on being homeless?), but equally deterrent of passengers, I imagine.

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My brother came down to Bristol for the weekend so that he could join me in St Paul's for the first carnival since I moved here in 2020. It didn't disappoint. Although it got unfeasibly crowded later, wandering the local streets just before things really got going was a lot of fun.

What I like best about the carnival is that, as well as professional food stalls, half the people in the area get out their oil drum smokers and cook ridiculous amounts of jerk chicken, curry goat, rice and peas, dumplings, etc., from their gardens, along with rum, Red Stripe, etc. (Special temporary licences are available for carnival.) It's truly a community thing, even if later on 100,000 people zoom in on the place:

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My house happened to be on the procession route, so later on I was able to step outside and see this, literally outside my front door. (See if you can spot Yurika, my current tenant, sitting in seiza on the bin shed.)

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I momentarily thought the last picture might be something to do with celebrating the year of my birth - then I remembered the Bristol Bus Boycott...

A Calumny!

Sep. 17th, 2022 08:50 pm
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Walking home from Temple Meads today, I saw that Easton has given its own verdict on the proclamation.

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Of course, I can't approve this, as it's been several generations since a king of England employed a Groom of the Stool.
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Someone at the local shopping centre has done these rather cool pictures, that pop into 3-D if (and only if) you stand in the right place and take a photo. From the side:

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From the viewpoint:

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Here's another:

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I'm not sure why they all have to be pictures of bloodthirsty animals committing vandalism, but I suppose it shows the technique to advantage. The strange thing is, though, that even if you stand in the right spot, the illusion doesn't work unless you take a photo. Then, everything pops into place. Of course, I can't show you how unconvincing it is if you don't take a photo because to do so I would need to... well, you see my problem. So, you will have to journey to Bristol to see for yourself - and Bristolophile though I be, perhaps it's not worth doing that specifically to fail to be convinced by an illusion. I do find it interesting, though. Presumably the addition of a frame cuts out all kinds of peripheral information that our brains involuntarily use to detangle what we see?

Or, you can come to the Cathedral and look at the moon that's been installed there, which is also kind of cool.

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Or even take part in a Wallace and Gromit Fix-up-the-City augmented reality game. That's still on my to-do list, for when my daughter gets better after her bout of what-might-possibly-be-COVID-although-the-tests-keep-coming-back-negative.

Here, nothing is what it seems.
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"You have cute elbows," said a small piece of graffiti that I passed this morning.

That may seem rather a random message, but it brought back very clearly a time, about 15 years ago, when I actually did secretly pride myself on the cuteness of my elbows. Other parts of my body might have started to sag and wither, I would reflect, but my elbows were pristine - pert and smooth, and altogether (as it seemed to me) in remarkably good condition. I even said as much to the person I was with at the time, when the subject of "body parts I can bear" came up.

I was surprised and rather appalled when they laughed at me. Even now, I'm not sure whether it was the general idea of elbows being cute or my particular claim that elicited such mirth. Either would have been humiliating in its own way. In any case, it knocked my elbow confidence for six, and I've been careful not to flaunt ever them since.

Meanwhile, yesterday I took a turn around Bristol harbour. I realised I'd never actually sought out Banksy's 'Girl with a Pearl Earring,' with or without its COVID-19 addition, so I finally did, before moving on to the the boatbuilders in Underfall Yard, where they are halfway through fashioning a tidy keel for 'Mad Ray of Rye.'

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The moss-covered trees are now flourishing in my bedroom!

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Is it just a bit tacky? Possibly. Do I care? Not really. I've not slept there yet, but will be trying it out tomorrow.

Meanwhile, I've been reflecting guiltily on the fact that when I see this sign:

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my distaste at seeing Colston's legacy celebrated (at least for now)* is mitigated by my involuntary satisfaction at seeing not one but two apostrophes correctly placed - such a rare treat these days! Whereas, when I saw this on Colston's plinth the other day:

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my approval of the sentiment was almost overwhelmed by an urge to correct the spelling. I suppose this is what's meant by trahison des clercs.

* Colston's Girls' School was one of three in Bristol named after Colston. The first, my children's old primary, changed its name a year or two back; the second, a private school, is retaining it. CGS voted recently to become Montpelier High School, Montpelier (one 'l') being the area of Bristol it's in. The logo will be designed by Michelle Curtis, who also designed the Seven Saints of St Pauls - an excellent choice.
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Today I go to pick up the goose that was to have fed me, Haruka, my brother and his partner on Christmas day. Of course, that's no longer going to happen. Theoretically it might be possible to travel from Brighton to Bristol and back in a day, in accordance with Johnson's latest panicked edict, but it hardly sounds fun, especially as everyone else will also be on the road. So, goose till March, then (although it now seems that Ayako will be free to join us, and may be good for a leg). My plan to give Haruka a very traditional English Christmas has gone a bit haywire, unless 1348 counts as "traditional."

At least my tree looks nice! I bought it from "Refutrees," a pop-up shop run by Aid Box Community, a local charity that specialises in aid work and wordplay. Coincidentally, the other day I was hailed on the street by a Syrian refugee who was looking for the charity, and walked with him to their base, where they were happy to see him, though he looked a bit nonplussed on arrival to find that the charity he'd been seeking was (to the untrained eye) just a room full of Nordic spruces.

Two nights ago, in my festive fury, I took Haruka to Westonbirt Arboretum's Enchanted Christmas Trail, where the trees were lit up prettily, some animated, with occasional sylvan holograms, music, lasers, and so on. It would have been very charming, had it not been raining steadily throughout. I felt especially sorry for the woodland elves who had been hired to interact with the questers for the 'West Pole' (us) and perform little skits. That they were all carrying umbrellas was entirely understandable, but did take a little from the magic, especially since they were made of plastic and not (as one might have hoped) giant rhubarb leaves. Still, life's been hard on Equity members this year, and at least it was a gig.
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In January my friend Haruka won the lottery for a 2-year working/holiday visa to the UK, at maybe the sixth attempt (they hold it every six months). She was delighted, but then of course Coronavirus hit, which made her delay somewhat. The visa clock started ticking in October, and last week she finally came over, in the hope of finding work here. She's staying in my house until she gets herself sorted out.

What a time to come, though! Ports closed, mutant viruses stalking the land, unemployment rocketing, Christmas cancelled, Brexit looming, nothing good on telly, a government whose corruption is rivalled only by its incompetence. Also, it's raining. I hope she has a lovely time, and I'll do what I can to smooth her path, but we may have to rely on the natural optimism of youth a lot.

Meanwhile, she brought - as an omiyage - a packet of official, government-issue masks, as sent to every household in Japan back in the spring.

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I don't intend to use them. Rather, they're going into my Corona museum, which is right next to my Reiwa museum from last year - my favourite item from which features a capsule toy with Suga, the current Prime Minister, announcing the name of the brand new era:

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I've lost count of how many streets claim to be Britain's steepest, but Vale St in Bristol is one of them - and that's the setting of Banksy's latest masterwork (photo courtesy of Ayako, who lives nearby).

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Coincidentally, Colston St, so named in the nineteenth-century by aficianados of Bristol's formerly bestatued slaver, is to revert to its mediaeval name: Steep Street. It will be hard to make the usual "erasing history" objection stick when it's actually an act of restoration. As citizen, as scholar and as smartarse, I approve.

(Yes, Bristol is hilly.)
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I posted four of the Seven Saints of Saint Pauls murals the other day, promising the others as opportunity arose. Today it did, between (and in one case during) the showers, so here are the other three. All seven are within five minutes' walk of this house.

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While I'm at it, here's a general celebration of migration and the Windrush generation...

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And maybe an earnest of the rising generation:

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Finally, at the start of the previous lockdown there was a spate of arson attacks in Bristol, one of which claimed the St Paul's adventure playground. It's now been rebuilt, thanks to a community effort, and looks bloody amazing. This is just round the corner from my house:

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[personal profile] sovay asked about the "Seven Saints of St. Pauls" murals I mentioned in my last post. As I was out today, I had the opportunity to photograph four of them. Expect the other three in due course...

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The area I just moved to has long had a large West Indian population. The St Paul's Carnival is a fixture, and its route goes past my house. There are handsome murals scattered around, featuring the local activists known as "Seven Saints of St Pauls." As someone who is almost painfully white (in culture no less than in melanin), I was a bit worried about being a fish out of water, or even resented as part of a wave of gentrification. As to the latter, it probably helps that my house was built on a disused car park: I've not priced anyone out of an otherwise-affordable home, at least. Everyone's been pretty friendly, and a bit curious about this new row of houses - which are indeed rather striking.

Today, as I was about to cross a local street on my way to town, a swish-looking limo drew up to the junction. The driver gave a couple of honks on his horn, which smacked more of "look at me!" than "be careful!" The impression of celebration was increased by the two large pink feathers that stuck up from front of the bonnet. Was this a birthday? A hen do? A wedding? It all seemed cheery and festive anyway, and I grinned at the people inside as they passed.

A few seconds later a second limo passed, also with pink fluffy feathers. Only this one was unmistakably a hearse. The deceased party's name was spelt out along the side in what looked rather like pink and white icing. After that, about twenty more cars followed. I belatedly recognised the feathers as a stylised echo of the plumes worn by horses in funeral corteges of yore. The people I'd been grinning at had of course been the grieving family.

What did they make of my expression? Perhaps they saw it as an attempt at encouragement at a difficult time; perhaps, more sinisterly, as undisguised glee.

The truth is of course that they almost certainly didn't give it a thought, but still, how mortifying.
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In a couple of days, all being well, I move about a mile and a half, from Ashley Down (on top of Ashley Hill) to St Agnes (at the bottom). Confusingly, Bristol actually has two districts called St Agnes: mine is the one that abuts St Pauls.

When I turned over the October page of my Moomin calendar a few days ago, I was not surprised to find that it showed a tall thin house, rather more characterful than the one I'm moving to, but still, I like to think, its spiritual twin.

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That Moomins calendar has been a kind of sortes virgilianae for me all year. In March, it weirdly predicted the onset of lockdown, toilet-roll hoarding and all:

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Despite stocking up, by the following month, Moomintroll and Snufkin had been reduced to using the three-shells method - or at least to working out what it might be. (This didn't actually happen to me, but only thanks to my Brexit stockpile.)

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And in May, when I was taking woodland long walks in Stoke Park and around Purdown (see entries from that time), Moomintroll similarly was hugging a tree, as if for comfort.

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What will November and December bring? The only downside to being at the bottom of the hill is that my new house is right next to a river, and the Moomins don't have a great track record with flooding...

Fleeting

Sep. 12th, 2020 08:41 pm
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Bristol is a city where temporary art often pops up overnight like midnight mushrumps. Recently we had the statue of Edward Colston replaced - for a day - with one of Jen Reid, while a couple of weeks ago members of Portishead, Massive Attack and others took to the skies to serenade the city from hot-air balloons in an event by the ever-creative Luke Jerram.

A couple of days ago this sculpture appeared in a niche opposite a multi-storey carpark - a young person being comforted by a Winnie-the-Pooh style bear. I saw it in the paper, but today I walked over to look at it with my daughter.

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I find it a strangely moving piece of work. I expect that it too will be ephemeral - but aren't we all?
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At least once a year I make a crumble from the apples growing in my garden and the blackberries growing wild a hundred or so yards away. Free food always was the most delicious - but if I ever manage to move house, this will be the last year I do it, I suppose.

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"History is ghastly. Nothing but misery and war and brutality. One should be glad it’s over."

Thus Clare Paling, the protagonist of Penelope Lively's Judgement Day. She is being sarcastic, and Lively ironic - for both are historians, and know better.

But I thought of that line when I heard some of the protestations against the removal of Colston's statue on the grounds that it was "erasing history." First, since we're in ironic mode, there's the rich irony that most of the bewailers had never heard of Edward Colston four days ago, despite his statue having stood in brazen pomp for 125 years; but in the few days since there has been no statue they have learned all about him. It's as if human beings invest such objects with meaning by their actions and passions - as if the removal of statuary can be more educational than statues themselves! Who knew?

The second irony is that erasing history, at least in this way, turns out to be synonymous with making it - for Sunday's events are now indelibly part of Bristol's history, to the extent that Banksy has suggested erecting a statue of the protestors pulling Colston's statue down.

History isn't a done deal. That's the lesson people are learning, along with the statistics of enslaved, the drowned, the murdered. If you don't like the history you've got, you can always make some more.
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Today the statue of Edward Colston in the centre of Bristol was pulled down by Black Lives Matter protestors, and thrown into the harbour. People from outside the city may not understand the resonances of this act, other than that Colston was a slaver who bequeathed much of his wealth to the city. A lot of things in Bristol are consequently named after him, including my children’s very multicultural primary school (although that name was changed a few years ago).

Possibly you think that a statue to someone who died 300 years ago is just part of the historical fabric, and should be left as such. But the statue to Colston has been a living controversy for many years – it’s not ‘just’ history.

First, of course, it wasn’t put up on Colston’s death but almost two centuries later, in 1895 – itself a political act. At that point the plaque beneath it read: “Erected by citizens of Bristol as a memorial of one of the most virtuous and wise sons of their city”. There was no mention of slavery at all.

Many people have argued for the removal of the statue, while others resisted. In 2018 the city agreed a compromise, suggesting wording for a new plaque that would give a fuller picture of Colston’s legacy:

Edward Colston (1636-1721) was a Bristol-born merchant, long honoured as the city’s greatest benefactor. He made vast donations to restore churches, establish schools, almshouses and various charities in Bristol and across the country.

Much of his wealth came from investments in slave trading, sugar and other slave-produced goods.

When a high official of the Royal African Company (1680-1692) (which had the monopoly on the British slave trade until 1698), he played an active role in the trafficking of over 84,000 enslaved Africans (including 12,000 children) of whom over 19,000 died on their way across the Atlantic.

As MP for Bristol (1710-1713) he worked to safeguard Bristol’s slave-trading interests. His role in the exploitation of enslaved Africans and his opposition to any form of religious or political dissent, has in recent years made him the focus of increasing controversy.


Pretty uncontroversial, you might think? But it was too harsh for the Merchant Venturers, Colston’s club, which is still a power in the city. In 2019 they commissioned a former curator of the City Museum to write a softer version:

Edward Colston (1636-1721) was a Bristol-born merchant and the city's greatest benefactor. He supported and endowed schools, almshouses, hospitals and churches in Bristol, London and elsewhere. Many of his charitable foundations survive. This statue was erected in 1895 to commemorate his philanthropy.

Some of his wealth came from investments in slave trading, sugar and other slave-produced commodities. From 1680 to 1692 he was an official of the Royal African Company, which had the monopoly of the English slave trade until 1698.

Thus, he was involved in the transportation of approximately 84,000 African men, women and children, who had been traded as slaves in West Africa, of whom 19,000 died on voyages to the Caribbean and the Americas.


Notice, among many other differences, how “trafficked” has become “transported” – as if the slaves were either a) criminals or b) passengers, rather than traded goods; while the blame for slavery has somehow been shifted to Africa itself.

All this wasn’t in the distant past, mind. It was a year ago.

The Mayor of Bristol (himself descended from enslaved Africans) unsurprisingly rejected this proposal – and there, until today, the matter rested, pending ultimate agreement on the wording.

The destruction of the statue cuts that Gordian knot. It's about time.
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Another Purdown walk yesterday. That place has been a real godsend during the pandemic - just 10 minutes' walk away, but so pretty: I don't know why I haven't gone there more often in the past. After a certain point it becomes Stoke Park Estate, and you can tell that you're in what used to be an eighteenth-century park, though run a little wild, and standing open to the demos in all weathers. William Kent might weep, but I rejoice.

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The estate abuts Lockleaze, once a farm but for the last seventy years or so a working-class neighbourhood, full of white vans and pebble dash. The downs are to their inhabitants what Clifton Downs are to the affluent Cliftonians, but I think for once the working-class got the better deal. Recently the council has made plans to bring back a certain amount of cattle grazing, much as would have happened back in the day, and this has met resistance from locals and dog walkers. It's like The Revenge of Samuel Stokes.

The grass is a prairie of buttercups and daisies at the moment, primarily the former. I was really struck by the way they stand out more when cast in shadow than in the light.

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I feel there's a 'Thought for the Day' in that observation, but so far Radio 4 haven't offered me a penny for it.
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I went walking up on Purdown again yesterday, for the first time in over a week. What a difference 10 days make! Here are two photos of the same horse chestnut, one taken on 15th April, the other on the 25th. Such is the power of Spring (cue Stravinsky):

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Also, the May is very much out, so cast clouts at will.

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If you look carefully at the photo above you will spy the crouching form of an amateur entomologist. I was able to identify her as such from the way she tap-tap-tapped at the branches of the hawthorn while holding an inverted white umbrella beneath it. This is characteristic entomologist behaviour and distinguishes them from outwardly similar species such as mycologists and botanists. She told me she was counting insects for the City Nature Challenge, which was kind of cool in a Hemulinish sort of way.
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Confined within a walkable radius like some conjured spirit from a Renaissance grimoire, I can't see everything I would like of this superlative spring, but I've been able to sample it. Here are some sights from recent days.

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"満開" cherry in my local park

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A horse chestnut, its candles still green

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Back garden apple blossom bee porn

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Alone with the bluebells in Hermitage Wood

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