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I tossed this into the Facebook oubliette yesterday, but on reflection I'm putting it here too, partly so that I can find it later if necessary, partly for those who don't follow me there.

It’s always better to ignore your critics, they say, and generally speaking that’s good advice, though I’ve not always followed it. I’ve often seen my words quoted in ways that slightly misunderstand what I was getting at or that omit important context. Almost always an honest misunderstanding is to blame, or the exigencies of space, or an understandable reluctance to make an awkward explanatory detour. No doubt I’ve done the same to others. As long as it stops short of reckless or deliberate misrepresentation, it's generally better to leave it alone.

On the other hand, when the person misrepresenting my views is a regular contributor to the hate site Transgender Trend, and she’s doing it under the banner of fighting gender ideology, I make an exception. Also, I don’t think I’ve ever read a page of published criticism that got so many things wrong in such a short space, and, since I’m currently in the middle of marking, it was almost instinctive to festoon it with Turnitin-style marginalia.

The writer is Susan Matthews,* contributing to a book published last year by a respectable academic press that should really have better quality control. (I’m not going to link it, but you can find it if you try.) The page in question takes issue with an article I published 15 years ago, two years before I publicly transitioned. It’s my first - and almost only - foray into gender theory.

The article sketches a historical moment around the beginning of the 1990s, when various brands of feminist and transgender theory were in wary conversation. It uses two children’s texts of the era (Anne Fine’s Bill’s New Frock and Louis Sachar’s Marvin Redpost: Is He a Girl?) to examine the areas in which these discourses agreed or disagreed, and especially where and how they talked past each other's concerns. Some of the language I would not use today, and I certainly wouldn’t give it such a hopeful conclusion, but I stand by its historical and literary analysis.

Susan Matthews

Either way, it’s not what Matthews needed for her chapter. She clearly wanted it to be an article in which I bash Fine’s feminist fable and embrace Sachar’s book as a trans story avant la lettre. So she pretended, or persuaded herself, that that’s what she’d found. She did this principally by attributing to me numerous views I never held or expressed. It’s pretty crude stuff, but if you don’t have the article to check it against you might assume it was true, so, here it is. Feel free to look for yourself. Oh, and here's the Susan Griffin poem referred to.

(By the way, despite my "missing the point" of her book, Anne Fine liked the article a lot and wrote to me to say so. Odd, that.)

* A little light Googling reveals that Matthews has form: I'm not the first person to be provoked into listing the errors and untruths in one of her articles. Here's Dr Stuart Lorimer doing the same thing.
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It's always hard to know whether a post fails to get views because of its intrinsic dullness or because of some algorithmic glitch. I recently wrote what I thought a nice little snarky Medium piece satirising the widely debunked yet somehow still widely cited ROGD theory that being trans is caused by "social contagion", and it's sunk without trace - perhaps because of the word "bollocks" in the title? Anyway, here it is, if you'd like to see it. (The signal-boosting power of Dreamwidth/Livejournal is awesome indeed!)

In other news, Hiroko's mission to See All the Things before she returns to Japan next month took us back to the M5 yesterday. Last week it was Devon and Agatha Christie; this time we travelled north to Birmingham, and more specifically Bournville, where we took a tour of the chocolate factory, now transformed to Cadbury World. It was an interesting experience: part theme park (albeit muted and punctuated with quizzes about cacao and the chocolate making process), part factory tour (there were plenty of people in hairnets demonstrating things), part historical exhibition (in which a hologrammatic conquistador, and then an equally insubstantial Mr Cadbury, took us through the history of chocolate and of the firm itself). Inevitably, we were also photographed surfing on a chocolate bar. A large shop with chocolate at melt-down prices, where I bought a bar of Dairy Milk larger than my keyboard for a fiver, rounded off the day. Overall verdict: weird but good, and at least nobody got juiced.

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Well, I've neglected this journal for a month, so this is a very quick catch-up.

First, I turned 60 and got my first free prescription since before Mrs Thatcher came to power - yay! We (me, my daughter and her boyfriend, plus my brother and sister-in-law) spent a frosty-but-bright weekend in a hay barn in my home town - a wonderful, if indulgent, couple of days.

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We also took the opportunity to scatter my mother's ashes on top of my father's, only four years or so after her death. On the way home we drove through the New Forest, and visited the graves of both Alice Liddell (Lyndhurst) and Arthur Conan Doyle (Minstead), so you might be forgiven for thinking it a morbid time, but it was quite the opposite.

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Oh, and last week I went to Dublin to examine a PhD (a good one, happily, so it wasn't at all awkward). The viva took place in the house where Oscar Wilde was born, now a part of Trinity College - which was kind of neat.

Last weekend my friend Clémentine visited for a couple of nights, which will be the last time I see her before she gives birth to her second child, due next month. Considering her condition she was incredibly willing to walk long distances, both at Wake the Tiger and the Bristol Light Festival.

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And that brings me more or less up to date. Oh, but I'll add that this morning I finally got around to playing with ChatGPT. I wanted to test its political awareness. As I think you can tell from the screenshots below, it's pretty woke:

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A week or so ago, on Transgender Day of Visibility, the Government celebrated by specifically excluding trans people from their long-promised ban on conversion therapy in the UK. This caused outrage, of course, and there was a heartening degree of unanimity from LGBT groups, but so far no sign that the Government will keep its word.

A couple of days later, the EHRC published guidance on interpreting the 2010 Equality Act. This was always a flawed piece of legislation, which spent much of the space it devoted to trans people detailing ways that - uniquely among the groups it set out to protect - it was actually okay to discriminate against us after all. But it did at least recognise that you shouldn't be able to discriminate on a whim, and that finding trans people a bit icky isn't enough of an excuse. The bar it set was that trans people should be excluded only when this was a "proportionate means of achieving a legitimate aim" - giving as an example the right of a rape crisis centre to turn away rape victims should they happen to be trans.

I thought, and think, that the exception sucked, but in practice it hasn't ever been used, because there isn't really a legitimate aim for which discriminating against trans people would be a proportionate means. Rape crisis centres, to use the Government's own example, haven't in practice shown themselves willing to sacrifice rape victims on the altar of transphobia.

This situation wasn't satisfactory for the phobes, however, and having effectively taken over the EHRC in the last couple of years they saw to it that the advice on the Act recently offered by that organisation set the bar at a subterranean level, saying that (for example) organisations are free to actively look for a service user to object to sharing a toilet with a trans person on the grounds of, say, 'privacy' or 'dignity', and thenceforth to exclude trans people tout court. The advice doesn't have the force of law, and indeed is almost certainly illegal, but until it's challenged in court - which seems to require an actual instance of this kind of ban happening - it will be circulated by the press and others as if it were the legal position, adding that extra element of fear and loathing to any toilet break.

(Oh, and of course, it's not just trans women who will be 'challenged' at the toilet door. Any butch lesbian or generally gender non-conforming woman will be too. The ironically self-declared "gender-critical" crew has willed it so.)

Then, a couple of days ago, along comes Boris Johnson and declares that trans women should not participate in sport. Now, part of me struggles to be interested in this because I can't understand why anyone would participate, but I do think it's significant that Johnson has said it. It's not, of course, because he cares about or is interested in women's sport, any more than Trump cared about the health of the avian population living near windmills. It's pretty clear that the Tories have decided that trans people are the perfect wedge issue for the next election and the two years leading up to it. It's something on which Labour is split, something that doesn't affect most people directly and about which they have only limited knowledge, something that can be reduced to "common sense" slogans and gotcha questions. From their point of view, it's ideal. So, Johnson's remark was a straw in the wind. And the wind is already blowing.

On the whole, I think I prefer trans invisibility.
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This morning the Guardian publishes a puff review of Kathleen Stock's new book, which suggests that the stranglehold trans people have on public discourse has had a chilling effect. (Prof. Stock was given an OBE in this year's New Year's Honours.)

This afternoon Nick Robinson suggests on Radio 4 to the new Scottish finance minister that trans rights have become a new religion, which people question at their peril.

Neither seems to have encountered much peril, however.

By contrast, Tennessee has just introduced a law obliging any establishment that allows trans people to use the toilet to have the following wording on the entrance to each toilet door:

This facility maintains a policy of allowing the use of restrooms by either biological sex, regardless of the designation on the restroom.


While journalists and professors with national platforms whine about being "silenced," trans people are being legislated out of society altogether. This is not a new observation, I know, but I think it's worth reiterating as long as it remains true.
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I'm not normally an angry person, but I've been angry this week. The judgement of the High Court that trans children must be forced to go through a puberty contrary to their gender identity, despite the existence of a safe alternative in the form of puberty blockers, amounts not only to forced conversion therapy of the most brutal kind, but, in effect, child torture.

If that language sounds overblown, I suggest you ask how you'd feel if you (or your child) had been ordered by a court to go through permanent sexual changes contrary to your identity. With the kicker that, once you were marked out in that way - through growing breasts and wide hips, or a beard and low voice - you would then be stigmatised for those things by the very same people who forced you to go through the process. (See countless transphobic tropes about broad-shouldered trans women, etc.)

The holes in the judgement's reasoning are astounding. Puberty blockers are totally reversible in their effect - if you stop taking them, puberty simply proceeds - but the judgement treats them as if they were an inevitable prelude to cross-sex hormones, rather than a chance for children to take a few years' breathing space to come to a considered decision.

Yes, most children on blockers go on to transition. The reason is that most children on blockers are trans - and have already shown their consistency, having waited 18 months or more for a first appointment. The court assumes, however, that it's a kind of conveyor belt, and insists that children must be in a position to consent to cross-sex hormones before starting blockers - a position so perverse that I'm surprised the High Court wasn't sucked into a time-space vortex.

Blockers are also described as an experimental and potentially dangerous drug - but only when given to trans people. When prescribed for cis children with precocious puberty - as they have been, safely, for 35 years - they're perfectly fine.

The wider implications of undoing so-called Gillick competence - the legal principle that allows children to make limited decisions about their own bodies - have been quickly seized on by anti-contraception and anti-abortion groups. Indeed, the case was brought by a lawyer with a long history in the anti-abortion world. But supposedly feminist groups such as WPUK applaud, because it hurts trans people - and that's always good. And supposedly liberal papers like The Observer parrot the same lies. And all of them think they're torturing children for their own good. Because, after all, wouldn't it be better if everyone could just be cis after all? Torturing trans children is a small price to pay if it means that one cis child is saved from making a mistake. Actually, it's not even a price - it's a good thing in itself! Let's make them go through permanent bodily changes so that they can realise that everybody should be cis. Let's take a tip from people who rape lesbians to make them straight! It's the same logic!

That's where liberal Britain is today. Fuck them all.

Meanwhile, I bought a picture of a tree.

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When you have finished looking at my tree, please consider donating to the fund to appeal the High Court's blatantly discriminatory decision.
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I'm putting these links here for my own reference, but they may be of wider interest. As you can imagine, I've been following the whole Rowling situation fairly closely, and I've seen many responses to it, some good, some not so much. I thought it might be useful to curate some of the more helpful and informative ones and put them in one handy place. This list may be expanded in future (indeed, feel free to recommend additions).

Rowling's essay.

We the Mudbloods: long, heavily referenced, point-by-point refutation of Rowling's essay. NB. It's in three parts, with a link to part 2 at the end of part 1.


Video essay by a cis woman and a trans man (who are also partners). Quite user-friendly for people who aren't particularly familiar with the issues.


Video reviewing the Rowling's essay, and also discussing the ways it may or may not affect the reading experience of Harry Potter fans uncomfortable with the author's views.
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Longterm readers of this journal (and, let's face it, I don't have many recent ones) may remember that Suzanne Moore - author of some trenchant feminist articles that I unreservedly applaud - is, nevertheless, pretty TERFy.

Her recent article in The Guardian deploring so-called 'cancel culture' is typical of its kind. If I had infinite time I could spend a fair bit of it dissecting Moore's article. Why does she cite the recent Rowling, row, for example, without making any reference at all to JKR's views about trans women, which is what made her essay controversial? Anyone reading Moore would think that she was called out for daring to speak about her physical abuse by a cis man, rather than for her transphobia.

Again, if she really wanted to argue against cancel culture, why didn't she mention the most topical example of that phenomenon - i.e. the sacking of David Starkey from various posts (rightly in my view) for his views on slavery and his reference to 'damn blacks'? It's easy to inveigh against cancel culture when those being cancelled are advancing views you agree with. The real test of principle comes when you are forced to do a Voltaire-face, as it were, and defend the expression of views you personally find offensive. That Moore chose not to do so is telling. (Of course, there are right-wingers who are defending Starkey on the internet, using arguments very much like Moore's; however, they are groups with whom Moore would probably hate to recognise her affinity.)

I seem to have spent some time on those matters despite my best intentions. Oh well. What I really wanted to talk about was a certain phrase that Moore used:

I write this as someone who I know some would like cancelled because I continue to think biological sex exists.


You may be puzzled by this phrase, because - well, hardly anybody denies that biological sex exists, do they? Of course, some of us might say that sex is neither binary nor simple, and that chromosonal, hormonal and phenotypical varations make for a complex biological picture; but that's not to say that it doesn't exist - on the contrary. "Biological sex exists" is such a "Duh" statement that it passes almost unnoticed.

Nevertheless, it's become quite a catchphrase. When J. K. Rowling defended Maya Forstater, for example, she wrote incredulously: "Force women out of their jobs for stating that sex is real? @ istandwithmaya."

The reality was, of course, nothing so fatuous. This NBC News article summarises the situation, as described by the judge in the case:

[Forstater's] contract expired in December and was not renewed; she sued in March and waited for a ruling — while continuing to make transphobic statements, including (but not limited to) a link to a piece comparing the use of proper pronouns to the date rape drug rohypnol and her commentary in defense of not using people's preferred pronouns, a defense of using transgender people's prior names in public settings, another series of statements misgendering another gender nonbinary person and another defense of her right to refuse to use the correct pronouns and to openly misgender people.


I think it's clear at this point that "biological sex is real" has become a kind of shorthand for "I'm a TERF." Although crude, it is quite powerful, inasmuch as anyone coming across it without much knowledge of or interest in the subject will find it commonsensical. For example, I encountered Moore's article via a Facebook post by a friend (whom I respect) who had commented, simply, "Excellent article". Anyone objecting will, unless they can persuade people to commit the time and emotional energy to following the arguments, sound pretty unreasonable and/or pettifogging.

I suppose the racists got there first, as ever. "I'm proud of my country" sounds pretty unobjectionable, shorn of the intolerance that often attends it.

Still, I wonder whether a leaf might not be usefully taken from this book? Is there some similarly "Duh" phrase that might stand for the other side of the debate?

I believe there is, and I propose: "Blue is a colour." From now on, I intend to insert sentences such as, "People want to silence me just because I assert that blue is a colour," into everything I write on this subject. It makes at least as much sense as "biological sex is real," after all. Nobody actually denies either statement, but beyond that, while "biological sex is real" makes an appeal to "objective fact", "blue is a colour" makes an appeal to the power of culture. Blueness is deeply cultural: one language's blue doesn't match another (the "blue" of Japanese includes much that English speakers might call "green", for example). In that sense, we might say that blueness is "nothing but a cultural construct", much as TERFs say about gender. On the other hand, blueness has a real connection to physics, and can be defined in terms of certain light frequencies. More importantly, who is going to argue seriously against the proposition that "Blue is a colour?" Anyone who did so would look at least as silly as someone accused of arguing that biological sex isn't real.

To proclaim, loud and proud, that "Blue is a colour" is to highlight the ambiguous nature of the truth-claim being advanced; it is to testify to the authenticity of lived personal experience; and it is, most importantly, to state the bleeding obvious.

"Blue is a colour." It ticks all the boxes.
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Rowling is of course a symptom, not a cause - but she's also a convenient stalking horse, and I'm sure the timing of this announcement is no coincidence.

This really is Clause 28 for trans people. It's stand-up-and-be-counted time: there's no fence left to sit on.

There are many aspects to Johnson's attempt to go full Viktor Orbán. I might mention, for example, that in pursuing this course Johnson (that self-proclaimed democrat) is disregarding 70% of the responses to the public consultation. But life's too short, and "Johnson is hypocrite" ranks with "Dog bites man" in the tally of unsurprising headlines, so let's cut to what, for some reason, has become the most urgent issue of our times: toilets.

For decades, trans men and women have legally used the toilets appropriate to their gender, without incident, here and in many other countries. Somehow, though, the proposed changes to the Gender Recognition Act, which were actually about reducing the red tape involved in legally transitioning, became mixed up in the public mind with access to toilets. (Actually, it's no mystery: it was through a concerted campaign of lies, and a public - the very people inclined to nod along to JKR - all too ready to believe them.)

So, the current proposal is a reversal of existing and long-established rights that have been exercised without issue: its only motivation is bigotry. The proposal is that only trans people who have fully transitioned (for which, read "undergone genital surgery") can use the appropriate toilets.

If it passes:

a) any woman, cis or trans, can expect to be challenged about their genitals, any time they go to a toilet - especially if they don't look "sufficiently feminine."
b) people in the process of transition will not be allowed to use a toilet at all, except in private homes. Why? Part of the current requirements for transition is that people live as their required gender for two years before they are able to access medical treatment (this is on top of the two years they probably spent waiting for an appointment in the first place). Under the proposals, these people cannot use a public toilet without breaking either a) the law or b) the terms of their medical regime, which might be seen as disqualifying them for treatment. (That's leaving aside the real physical threat faced by any trans woman using a male toilet - as opposed to the wholly imaginary threat faced by cis women using a women's toilet with a trans woman in a neighbouring cubicle.)
c) access to surgery is not equal - it was far easier to obtain for me (middle-class, steady job, articulate, of a certain age, no pre-existing health conditions) than for many less privileged people - so this is a hugely discriminatory measure.
d) Nonbinary, genderfluid and others will become non-persons.
e) Trans men (some of whom look very conventionally masculine) will presumably be forced to use women's toilets. (I say "presumably" because, as ever, the focus is on trans women.) Talk about unintended consequences!


Oh, and lest you think you can get round the issue by using unisex toilets, they are to be banned.

In a transparent ploy to separate the LGB from the T, gay conversion therapy is also to be banned. (Trans conversion therapy, by contrast, will I imagine be warmly encouraged.) Trans people have always supported LGB rights: I have no doubt that this stinking sop will be seen for what it is, and that the vast majority of LGB people will continue to reciprocate. There is in any case a huge intersection between the groups, and butch lesbians, in particular, are likely to be as adversely affected by the toilet provisions as trans people (see a) above).
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Since when was Shinzo Abe's wife the "First Lady" of Japan?

I first saw this usage on the internet a few months ago, and dismissed it as the parochialism of an American reporter, transferring language appropriate to the United States to a context where it didn't fit - like the woman interviewing Nelson Mandela who asked him to comment on an issue "as an African American." (He was too polite to point out her error.) But then I saw it again, and again - and recently I even heard it from a Japanese friend, who confirmed that it was indeed a thing in Japan - even if, as in America, it's a courtesy title rather than a constitutional one.

But, while it makes a kind of sense in the States, where the President is also the head of state, surely it makes no sense in a monarchy? If Akie Abe is the First Lady of Japan, what number lady is Empress Masako?

I was about to write that if Boris Johnson tried to call Carrie Symonds the First Lady a couple of Beefeaters would be round to No. 10 sharpish to let him feel the business end of a pike - but I see that some newspapers have indeed started referring to her, albeit flippantly, as the "First Girlfriend". Will that take root?

I don't know why this even bothers me, since I'm not a royalist, but a) I do find the confusion of presidential and monarchical systems irritating, and b) I would be sorry to think that the whole First Lady meme was spreading, since it was always pretty irredeemably sexist.

I'm Glad 10
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A couple of days ago I passed a shop window advertising "Gender Reveal Fireworks" - a first for me.

For a minute I thought, Wow, haven't we come a long way? When I transitioned, coming out was a scary, nerve-wracking thing, fraught with fears of rejection, anger and hurt. Now, people can invite their friends to celebrate their coming out with a fabulous fireworks party in which they reveal their gender (in as many colours as it takes), proud of themselves and their truth, and confident in the support of those who love them.

Then I remembered I wasn't living in a David Levithan novel. Of course, the fireworks' real purpose was to lock yet-unborn children into a rigid, cisnormative gender binary.

Perhaps they could still be used for the first thing after all, though?
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One thing I meant to mentioned in my last post is that, driving through the New Forest naturally took me and Haruka to Lyndhurst, and that as we were waiting to turn at a junction she remarked on the White Rabbit Cafe over the road. "Why is it called that?" she asked, recognising the Lewis Carroll reference (because Alice is Big in Japan).

It took me a moment to remember that Lyndhurst is the place where Alice Hargreaves (née Liddell) is buried. It took a couple of minutes more to get this concept across, though. Language issues aside, that Alice might be dead - or ever have been alive, or, worse, an old woman, or somebody who lived well into the 1930s - was a difficult thing to accept mentally. I offered to show her Alice's grave - but the offer was declined, and I can't blame her.

Today's news that harmful gender stereotypes are being banned from advertising seems likely to throw up some interesting disputes in months to come. What is a stereotype, and among stereotypes which ones are harmful? Perhaps "gender-critical" feminists could concentrate on that for a bit and take a break from bullying trans people? Actually, one of my earliest posts on this blog was about that kind of advertising. So many no-longer-on-LJ friends' voices! But also a few who are still around.

I think my favourite radio programme from the last week was The Patch. An apparently lightweight format, in which a journalist picks a UK postcode at random and heads there to find human interest stories, gradually morphed into a really effective piece of investigative journalism that elegantly demonstrated just how government money gets wasted on vanity projects while basic needs remain unfunded. And there were human interest stories too!
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A few years ago, John Boyne had a hit book, later a film, in which he told the story of an oppressed group from the point of view of a member of the group doing the oppressing, and made the latter's suffering the centre of the story.

This device clearly worked so well for him that he has apparently done it again, in a different arena. His latest novel (which I won't name here, because even the title is pretty horribly transphobic) has caused quite a flurry on Twitter, I gather. I suppose I'll have to read it at some point, because I'm meant to be giving a lecture on this kind of fiction later in the summer, but it can certainly wait until I get back to England.

What I want to mull about in this post isn't his novel, which sounds terrible, so much as an article he recently published to promote it, in which he joins the ranks of those disavowing the word "cis." The reason he gives is a familiar one, and one that has some superficial plausibility: one shouldn't foist labels onto people who don't wish to accept them. He doesn't "identify as" a cis man, but simply as a man.

The obvious riposte is a tu quoque: how would Boyne (who is gay) feel if straight men refused to be described as such, despite being attracted exclusively to the opposite sex? If they said, "How dare you call me a straight man - I'm just a man!"? At best, it would seem a rather strange thing to say. More likely, he would hear it as a way of dividing the world into gay people and "normal" people.

Or, let's take a different kind of case. How would Boyne feel if someone described him as six feet tall? (Let's assume for the sake of argument that that is his height.) Would he say, "I'm not a six-foot man, I'm just a man! How dare you foist that label onto me when I don't identify with it?"

I very much doubt he would protest in those terms. But why not? What is the difference between that and calling him cis?

It's an obvious point, and trans people and allies have been painstakingly making it for years, but otherwise-sensible people have been curiously resistant to it. Somehow, it seems that certain things (being six feet tall, being Irish) are harmless adjectives, the use of which, assuming they are true, would cause no one to feel infringed upon, even where - as in the case of nationality - they might have a real connection to one's sense of personal identity. Other things, no less accurate, are regarded as "labels", the application of which is "foisting". For an adjective to be applied felicitously, it just has to be consistent with fact; a label, by contrast, also has to be something one "identifies with."

Trans people tend to use the word "cis" as an adjective, but many cis people hear it as a label - as a political act, not a neutral description. The reason, I suspect, is that this is also the way they hear the word "trans." Just as any trans person who opens their mouth is automatically called a "trans activist," so to mention that one is trans is to be parsed as making a kind of political point. That, I think, is why disavowal of "cis" is basically transphobic.

Still, all that said, the distinction between "adjective" and "label" is not a sharp one, any more than that between constantive and performative language generally. If I had time, and were not on a train to Kobe, I would spend a couple of hours maundering that, but for now I will refer you to my friend Mr Derrida.
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One of the main problems with trans politics is that trans people seldom or never get to frame the public discourse, which is typically presented either as an explanation of trans people (benign version) or a debate around whether trans people are deluded and/or dangerous (malign version). The more I think about it, the more it seems to me that there's room for a debate, not about trans people, but about transphobes - one that puts them under the same kind of spotlight. It's not my academic field, so I'm not the ideal person to organise it, but I'd love to see a Call for Papers something like this....

The Politics and Pathology of Transphobia

It is a common refrain of transphobes that the issues need a free and open debate, but the phenomenon of transphobia itself has received little or no academic attention. This conference attempts to amend that situation. As the conference organisers we are open to suggestions for panel sessions, but possible topics include:

Transphobic History – a Twice-told Tale
Transphobia has risen to prominence on our television screens and in books over the last generation, especially with the rise of social media – but is it really a modern phenomenon? Arguably the discourse and ideology of transphobia, and the psychopathology underlying it, have a far longer history. In this session we explore the history and heritage of transphobia, including the striking parallels between the hostile framing of homosexuality some thirty years ago (notably as a threat to children), and that of trans identities today.

Transphobia and Feminism
One of the characteristics of transphobes who also self-identify as feminists is the compulsion to speak for feminism in general, and indeed for all women and girls; yet most women (including most feminists) repudiate transphobic beliefs and assumptions. This panel looks at the complex and conflicted relationship between feminism and transphobic discourse, especially in an age of social media and “echo chamber” platforms such as Mumsnet, which allow transphobes to live in a world of constant affirmation and unchallenged reinforcement of their views.

Transphobia and the Evangelical Movement
Many transphobes present themselves as politically left-leaning, while other base their transphobia in conservative religious dogma. The common purpose of these two apparently disparate groups has sometimes evolved into active collaboration, as in organisations such as “Hands Across the Aisle.” How do these different brands of transphobe reconcile themselves to being bedfellows? Is it a marriage of convenience, or does this alliance indicate a more fundamental convergence of political and moral outlook?

Transphobic Regret
No one knows how many transphobes eventually come to regret their involvement in transphobic ideology. Much more research is needed – although major academic institutions seem unwilling to fund it. This session will look at desistance from transphobic ideology, and the social and psychological repercussions for those who dare to leave a belief and value system that has contributed so much to their sense of identity and purpose.

Science, Junk Science, and Statistics
Transphobes frequently invoke science to support their worldview, but their use of science typically resorts to inaccurate or simplistic categories, and tendentious, selective use of statistics. This session is devoted to the discussion of transphobia’s unhealthy relationship with science in general, as well as their support for clinical practices such as conversion therapy.

Transphobia as Fetish
Transphobes have created many theories to “explain” the existence of trans people, such as autogynephilia, “rapid onset gender dysphoria,” among still more fanciful aetiologies. In this session we consider the extent to which such theories are born of projection and/or paraphilic interest in the lives and genitalia of trans people – a range of pathologies we propose to gather under the general title of “Blanchardism.”

Transphobia and the Rhetoric of Victimhood
Transphobic articles and viewpoints are extremely frequent in the press, on television and radio, and other public fora. Yet one of the commonest refrains of transphobic discourse is the complaint that transphobic views are being silenced, penalised or censored, and that this is both a threat to free speech and evidence of a powerful trans cabal. In this session we explore the intersection of paranoia and projection involved in positioning transphobic discourse as victimised and silenced.

The Media and the Exploitation of Transphobia
The media have often been willing partners in the transmission and amplification of transphobic viewpoints, whether for reasons of genuine transphobia or because of the “pulling power” of transphobic tropes and rhetoric. In this session we analyse the particular forms of transphobia employed by the media in facilitating moral panic about trans people.
steepholm: (Default)
I just finished Sylvia Townsend Warner's Lolly Willowes (1926), which I'd been meaning to read since forever, and I'm very glad I did. It's funny, and sharp, and Laura's gradual metamorphosis from Fanny Price to Mother Shipton is handled really well. One of my friends on FB called it "stealth SFF", which seems fair enough. I should say that I was sufficiently spoiled that I knew in advance the story's general direction of travel, but that didn't ruin it in the least (I was able to spot some foreshadowing that I would otherwise probably have missed), though it did make it a different experience from the one I'd have had cold.

Attentive readers of this blog will know that I am rather attracted to stories that change genre halfway through, or seem to. I've written about the phenomenon here, and elsewhere. But today the most relevant link from my previous maunderings is this one from six years ago, where the issue is much more personal to me. For I too am a story that changed genre - or seemed to - halfway through. The "seemed to" is explained at length in that entry, but briefly, my subjective experience before and after transition was largely one of continuity - I seemed to myself the same person - but some people found a jarring disconnect between me before and me after. In the entry I attempted to explain this by offering an analogy between reading genre and reading gender. People who'd read me in one way had to start reading me in another, according to another set of genre conventions, and for some it was a wrench; whereas for me (on the inside track, as it were, and thus "spoiled"), there was no such rupture.

So, does Laura really undergo a change from acquiescent maiden aunt to Satan-worshipping witch? Isn't it rather that certain qualities, interests and dispositions, present throughout, are allowed to assert themselves when her circumstances change? That she always was a witch in waiting, as it were? Her eventual pact with the Devil comes as no surprise to her, nor does it cause her any apprehension; that comes earlier, when she "comes out" to her family, defying social and financial pressure to assert her selfhood and move to a life of isolation in Great Mop. From there the step to witch-hood is almost inevitable. What else could such a woman be seen as?

(No such disquisition would be complete without at least a glancing nod at Madoka Magica, in which girls enter into a Faustian bargain to gain magic and, as it turns out, become witches. That revelation is certainly widely seen as a plot twist, and many viewers have seen it as triggering a change in genre, from idealistic shoujo anime to cynical seinen anime, but that change too may be more apparent than real, as I have argued here.)

"You should be women," says Banquo, "And yet your beards forbid me to interpret/ That you are so." Recognising witches - or indeed women - is a matter of the beholder's eye, and of the assumptions brought to the task of interpretation. No doubt Macbeth saw something different from Banquo; no doubt James I saw something different from Reginald Scot.
steepholm: (Default)
When I walked to Tesco yesterday I found myself sauntering past a very long queue of traffic trying to get into the Eastgate Centre, perhaps to stock up on last-minute booze - whereas I was only after soured cream. Detecting feelings of smugness, I prepared to suppress them in my usual authoritarian manner, then made a conscious decision not to, but rather - as an experiment - to view them positively, for all the world as if I were President Trump.

"There's nothing wrong with feeling smug," I told myself. "You deserve it. In fact, I think it's very brave of you to so honest about your feelings. Also, smug is so very in right now."

Didn't I do it well? I don't think anyone in the history of the world has been smug more expertly. But it hasn't changed me.

Today I decided to take a stroll around the zoo, an impulse that seems to afflict me only on New Year's Day, although this time I was in Bristol rather than Borth. I'd not been to Bristol Zoo for several years, and it was a rather nostalgic trip, which gave me a chance to compare meerkats, assess hippos, and so on.

DSC00411DSC00410DSC00417

The strangest part was the overhead conversation while watching the otters. A small boy - maybe four years old? - was there with his father. Looking at the pair of otters, he remarked: "I don't like the female otter." (How he could tell the difference is beyond me.) Not getting any reaction, he added after a few seconds: "I don't like girls."

"You do like girls," replied his father. "Because you got a princess dress for Christmas. And" - with a heavy emphasis - "you like wearing it."

It seemed a strange argument: does it really follow that a boy who likes princess dresses will also like their traditional occupants? Then I wondered whether it might have been partly for my benefit. After all, a few minutes earlier, when we'd all been looking at the golden lion tamarins and the boy had said the word "Fart!" very loudly, the father had apologised to me - so he was clearly sensitive to the way he was seen by others. If so, I suppose the first part - "You got a princess dress for Christmas" - was an example of what is fashionably called virtue signalling ("I am not one to force my child to conform to gender stereotypes"). But the second part - "And you like wearing it" - was a pre-emptive clarification, just in case I was a Mail reader ("Nor am I one to force my son to wear dresses").

From the boy's point of view, however, it must have all sounded like non sequitur upon non sequitur, though he was too polite to say so.
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The subheader in today's Mirror ("School Bans Skirts!" is the main headline) reads: "Anger as head brings in new uniform to cater for 'small number of transgender children.'"

The Piers Morgans of this world have been duly outraged. The rather more measured piece in the The Telegraph makes it clear that the issue of transgender pupils was only one of several factors (and not the first mentioned) that led to the more uniform uniform of trews only:

"Pupils have been saying why do boys have to where [sic] ties and girls don't, and girls have different uniform to boys," he said. "So we decided to have the same uniform for everybody from Year 7.

"Another issue was that we have a small but increasing number of transgender students and therefore having the same uniform is important for them."

There had also been complaints from the wider community about the length of school skirts, so this was another factor in the decision to ban them altogether.

Mr Smith said: "We know the current uniform is not necessarily worn as respectfully as it should be. "There were problems with decency and a number of issues raised by people in the community about how students were wearing uniform."


Actually there are several things in that justification that I find problematic, but then I'm not a fan of uniforms at the best of times, so I'll let that slide for now. Since this is being spun by the professionally outraged as a transgender issue, what I'd really like to know is: how does this change of policy accommodate trans children? I'm trying to see the scenario, and I can't.

I can imagine a scenario in which a trans boy wanted to wear trousers, or a trans girl wanted to wear a skirt, or a genderfluid child wanted to change from time to time. I can imagine a head so worried by the challenge to gender norms that rather than allow children to wear the clothes of the gender they identify with he forces everyone to wear the same thing. This is not called accommodating transgender children, it's called accommodating cis fragility. But of course it's the children who are being presented as the problem here.

I'm not saying that's what happened. But if not that, what?
steepholm: (tree_face)
I was kind of annoyed by a Film Programme discussion the other week with Stephen Woolley, the producer of The Crying Game. The thing that annoyed me was this discussion of the film's famous twist:

We started the campaign [not to reveal the ‘twist’] in the UK. I wrote a personal note to all the film critics when the film was released, and I think 99.9% of them kept it quiet. … That twist became part of the reason the Americans flocked to see the film. At the height of its popularity in New York I used to slip into the back of cinemas, just for the moment, just for the revealing moment, because the audience would go crazy. … Obviously, it did work as a sort of hook for the film.


Well, of course I've talked about that film here before, since (because I like it in other respects) it got me thinking a bit about twists in general, what they do and when and why they work, or not - and when they're plain objectifying. That discussion is here.

But Woolley said something else that was rather interesting, and tangential to the other discussion. They were talking about the positioning of the twist and its relation to genre. Many twists come at the end of the story - but in The Crying Game it comes somewhere round the halfway point. And the effect is to change the genre of the of film - in this case from a fairly hard-bitten thriller about the IRA into something quite different (what would you say the genre of The Crying Game is by the end?)

Woolley's comparison was with Pyscho - where the midway murder of the apparent main character signals the change from its being a crime thriller to a psycho-drama. Another example that springs to mind is, of course, Madoka Magica...

I feel there must be at least a few others - stories that that reveal that the audience (and possibly the characters) have been wrong-genre-savvy, and make them reevaluate everything that's happened through the prism of a different genre template, but that also give them the time to do so, rather than using the revelation as a final-scene pay-off. A twist in the tail is fine, but a twist in the torso is better. It's a model that appeals to me, anyway - but how common is it?

Examples, please!
steepholm: (Default)
I was kind of annoyed by a Film Programme discussion the other week with Stephen Woolley, the producer of The Crying Game. The thing that annoyed me was this discussion of the film's famous twist:

We started the campaign [not to reveal the ‘twist’] in the UK. I wrote a personal note to all the film critics when the film was released, and I think 99.9% of them kept it quiet. … That twist became part of the reason the Americans flocked to see the film. At the height of its popularity in New York I used to slip into the back of cinemas, just for the moment, just for the revealing moment, because the audience would go crazy. … Obviously, it did work as a sort of hook for the film.


Well, of course I've talked about that film here before, since (because I like it in other respects) it got me thinking a bit about twists in general, what they do and when and why they work, or not - and when they're plain objectifying. That discussion is here.

But Woolley said something else that was rather interesting, and tangential to the other discussion. They were talking about the positioning of the twist and its relation to genre. Many twists come at the end of the story - but in The Crying Game it comes somewhere round the halfway point. And the effect is to change the genre of the of film - in this case from a fairly hard-bitten thriller about the IRA into something quite different (what would you say the genre of The Crying Game is by the end?)

Woolley's comparison was with Pyscho - where the midway murder of the apparent main character signals the change from its being a crime thriller to a psycho-drama. Another example that springs to mind is, of course, Madoka Magica...

I feel there must be at least a few others - stories that that reveal that the audience (and possibly the characters) have been wrong-genre-savvy, and make them reevaluate everything that's happened through the prism of a different genre template, but that also give them the time to do so, rather than using the revelation as a final-scene pay-off. A twist in the tail is fine, but a twist in the torso is better. It's a model that appeals to me, anyway - but how common is it?

Examples, please!
steepholm: (tree_face)
The other day I listened to The Film Programme's discussion of Alice Guy's 1906 film, "Les Résultats du féminisme", in which we are shown a world where "feminism" has triumphed and men and women have effectively exchanged roles. You can see it here (it's only 7 minutes):



Apparently Guy (by then Alice Blaché) made another film with a similar theme but a future setting, In the Year 2000 (1912). Alas, that one is now lost.

The studio discussion assumed that Guy was making a feminist point herself, highlighting the treatment that women receive in the real world by showing it happening to men. That may well be right - but more than anything I was reminded of the anti-suffrage postcards produced around the same time, with very similar images of a world in which feminism has triumphed and men are reduced to domestic servitude while their wives carouse and put their feet up. Nothing very feminist about those - nor indeed about the Two Ronnies sketch series The Worm that Turned (1980), which is actually cited as a parallel by one of the studio guests. (This compilation I've linked here is 90 minutes long, but watch the first four minutes and you'll find you've had quite enough. I remember it all too well from 37 years ago.)

It's not that I don't believe Guy's film is feminist: without knowing something of her political opinions, I really couldn't say. But it's a striking instance of how the very same (or very similar) images can have opposite meanings, depending on the assumptions with which one approaches them.

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