On the Receving End of Bad Scholarship
Jan. 14th, 2024 08:02 amI tossed this into the Facebook oubliette yesterday, but on reflection I'm putting it here too, partly so that I can find it later if necessary, partly for those who don't follow me there.
It’s always better to ignore your critics, they say, and generally speaking that’s good advice, though I’ve not always followed it. I’ve often seen my words quoted in ways that slightly misunderstand what I was getting at or that omit important context. Almost always an honest misunderstanding is to blame, or the exigencies of space, or an understandable reluctance to make an awkward explanatory detour. No doubt I’ve done the same to others. As long as it stops short of reckless or deliberate misrepresentation, it's generally better to leave it alone.
On the other hand, when the person misrepresenting my views is a regular contributor to the hate site Transgender Trend, and she’s doing it under the banner of fighting gender ideology, I make an exception. Also, I don’t think I’ve ever read a page of published criticism that got so many things wrong in such a short space, and, since I’m currently in the middle of marking, it was almost instinctive to festoon it with Turnitin-style marginalia.
The writer is Susan Matthews,* contributing to a book published last year by a respectable academic press that should really have better quality control. (I’m not going to link it, but you can find it if you try.) The page in question takes issue with an article I published 15 years ago, two years before I publicly transitioned. It’s my first - and almost only - foray into gender theory.
The article sketches a historical moment around the beginning of the 1990s, when various brands of feminist and transgender theory were in wary conversation. It uses two children’s texts of the era (Anne Fine’s Bill’s New Frock and Louis Sachar’s Marvin Redpost: Is He a Girl?) to examine the areas in which these discourses agreed or disagreed, and especially where and how they talked past each other's concerns. Some of the language I would not use today, and I certainly wouldn’t give it such a hopeful conclusion, but I stand by its historical and literary analysis.

Either way, it’s not what Matthews needed for her chapter. She clearly wanted it to be an article in which I bash Fine’s feminist fable and embrace Sachar’s book as a trans story avant la lettre. So she pretended, or persuaded herself, that that’s what she’d found. She did this principally by attributing to me numerous views I never held or expressed. It’s pretty crude stuff, but if you don’t have the article to check it against you might assume it was true, so, here it is. Feel free to look for yourself. Oh, and here's the Susan Griffin poem referred to.
(By the way, despite my "missing the point" of her book, Anne Fine liked the article a lot and wrote to me to say so. Odd, that.)
* A little light Googling reveals that Matthews has form: I'm not the first person to be provoked into listing the errors and untruths in one of her articles. Here's Dr Stuart Lorimer doing the same thing.
It’s always better to ignore your critics, they say, and generally speaking that’s good advice, though I’ve not always followed it. I’ve often seen my words quoted in ways that slightly misunderstand what I was getting at or that omit important context. Almost always an honest misunderstanding is to blame, or the exigencies of space, or an understandable reluctance to make an awkward explanatory detour. No doubt I’ve done the same to others. As long as it stops short of reckless or deliberate misrepresentation, it's generally better to leave it alone.
On the other hand, when the person misrepresenting my views is a regular contributor to the hate site Transgender Trend, and she’s doing it under the banner of fighting gender ideology, I make an exception. Also, I don’t think I’ve ever read a page of published criticism that got so many things wrong in such a short space, and, since I’m currently in the middle of marking, it was almost instinctive to festoon it with Turnitin-style marginalia.
The writer is Susan Matthews,* contributing to a book published last year by a respectable academic press that should really have better quality control. (I’m not going to link it, but you can find it if you try.) The page in question takes issue with an article I published 15 years ago, two years before I publicly transitioned. It’s my first - and almost only - foray into gender theory.
The article sketches a historical moment around the beginning of the 1990s, when various brands of feminist and transgender theory were in wary conversation. It uses two children’s texts of the era (Anne Fine’s Bill’s New Frock and Louis Sachar’s Marvin Redpost: Is He a Girl?) to examine the areas in which these discourses agreed or disagreed, and especially where and how they talked past each other's concerns. Some of the language I would not use today, and I certainly wouldn’t give it such a hopeful conclusion, but I stand by its historical and literary analysis.

Either way, it’s not what Matthews needed for her chapter. She clearly wanted it to be an article in which I bash Fine’s feminist fable and embrace Sachar’s book as a trans story avant la lettre. So she pretended, or persuaded herself, that that’s what she’d found. She did this principally by attributing to me numerous views I never held or expressed. It’s pretty crude stuff, but if you don’t have the article to check it against you might assume it was true, so, here it is. Feel free to look for yourself. Oh, and here's the Susan Griffin poem referred to.
(By the way, despite my "missing the point" of her book, Anne Fine liked the article a lot and wrote to me to say so. Odd, that.)
* A little light Googling reveals that Matthews has form: I'm not the first person to be provoked into listing the errors and untruths in one of her articles. Here's Dr Stuart Lorimer doing the same thing.