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There's an interesting discussion going on on the child_lit listserv at the moment, about when the idea first emerged of Aladdin's lamp (or the genie therein) being allowed to dispense three wishes only, rather than the unlimited number available in 1001 Nights. The earliest linking of three wishes to a genie currently stands at 1940, with the Sabu film The Thief of Baghdad - though that of course is not about Aladdin.

I wonder whether the answer may lie in panto, but don't know enough about its history to be sure. Anyway, I thought this learned flist might have a few ideas...

(no subject)

Date: 2010-12-30 03:13 pm (UTC)
From: [identity profile] cmcmck.livejournal.com
Oh no it doesn't! :o)

The granting of three wishes appears in a great deal of traditional folk song. I suspect that numerology has somthing to do with it as seven and nine (like three, thought to be auspicious numbers) also make numerous appearances in folk song.

(no subject)

Date: 2010-12-30 04:29 pm (UTC)
From: [identity profile] steepholm.livejournal.com
I think the three-wishes topos has quite a long history in Western folk tale, so maybe a crossover to the Arab material was natural enough, but I'm not sure when it first happened.

The structuralist in me would add...

Date: 2010-12-30 04:34 pm (UTC)
From: [identity profile] steepholm.livejournal.com
On the number 3 in folk tales and jokes, I've always assumed that, apart from any mystical associations it has, it also happens to be the smallest number necessary to set up the common pattern of Event-Repetition-Variation. You need two to create an expectation in the reader/hearer, and the third to frustrate it. In the case of wishes, two might be wasted and the third used wisely, for example.

Re: The structuralist in me would add...

Date: 2010-12-30 11:32 pm (UTC)
From: [identity profile] veronica-milvus.livejournal.com
I think you are right about this pattern effect. It appears in jokes too.

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