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Yesterday evening I went to see Geraldine McCaughrean, Gillian Cross, Sally Prue and Tim Bowler promote their latest books at Bristol Central Library - the last leg of a British-Isle-wide OUP tour. I got the time wrong and turned up early, which was no big deal except that it meant I also had to leave early, before the wine and chit-chat, so I really only got to hear the authors talk about their books, and not to interact with them.

I admire more than one of these writers (no names, no packdrill) but it strikes me as odd that McCaughrean in particular - such an interesting, original, versatile author - has received so little academic attention. If I hadn't already got involved in two of the Palgrave New Casebooks, I think I'd propose one on her. Maybe someone else will?

It may well be, of course, that her very versatility has worked against her in this respect. You never know what you're going to get when you open a new McCaughrean novel, and while for some of us this is a dazzling strength, perhaps it makes her hard to write about.

Last night she was talking about The Positively Last Performance, a book she was commissioned to write in order to celebrate the town of Margate, and particularly its Theatre Royal - which she imagines as being populated by ghosts of various eras. This sounds a little too like The Graveyard Book for comfort, I thought, and in retrospect it still does, but I forgot that for the time she was reading from it. She's a wonderful stylist, and makes Gaiman seem workmanlike by comparison (albeit a very competent workman). Also, my family-historian sense started tingling: I have relatives in Margate from the second half of the eighteenth century, just when the theatre was in its early days.

There was one thing she said, though, which both intrigued and puzzled me. She confessed that she hesitated to write about ghosts because she didn't believe in them and indeed had theological objections to belief in them. (McCaughrean is a Christian.) On one level, this seems rather odd. Surely you don't have to believe in everything you write about? Isn't that why it's called fiction? Did H. P. Lovecraft believe in Chthulhu?

Another part of me responds, of course you must believe in everything you write! If it wasn't true before, it certainly will be once you've conjured it. This is magical thinking, I know - but isn't the point that all thinking is magical, if you do it right? One of the main rules for doing it right, in my view, is that you shouldn't write against the grain of your nature. So I think McCaughrean was actually correct - although I doubt she would welcome this defence.

(no subject)

Date: 2013-02-08 12:48 pm (UTC)
From: [identity profile] papersky.livejournal.com
She's probably sick of people asking her if she believes in them -- I'm so sick of people asking me if I believe in fairies you wouldn't believe.

I do think to write something you have to believe in the emotional truth of it. Though maybe "believe" is the wrong word. Maybe "get your head around" is better in this context. If you can't find the place where the thing is true in context it would be very hard.

I don't believe in ghosts or fairies but I disbelieve in "grey aliens" a lot more. I don't know that I could write a sincere thing in a universe with alien abduction. And actually it's not so much a case of belief but respect. I respect Odin and fairies and ghosts, I despise UFOlogy. If she doesn't respect ghosts and the belief in ghosts and the way ghosts work in culture, then that would be hard to write about.

(no subject)

Date: 2013-02-08 12:59 pm (UTC)
From: [identity profile] steepholm.livejournal.com
I'm so sick of people asking me if I believe in fairies you wouldn't believe.

That I do believe!

I'm sure too that you're right to look for other ways of putting it - respect, get your head round, etc. The English language (I can't speak for others) is rather insistent on a monogamous binary of belief or non-belief, which conjures a vision - itself most implausible - of minds always and entirely self-aware and available for inspection, whereas I think that in matters of credulity many of us are polyamorous. The idea that we are fully aware of what we believe in may be the biggest fiction of all.

Totally with you on the aliens, btw!

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