sovay mentioned the writer Bryher the other day, and now she's turned up again, this time in her insular aspect. I've always felt an interest in both Bryhers, not least I suppose because we who are named after islands enjoy a natural kithship; also because she published the most expensive book I ever bought (not for myself), a copy of Mary Butts's
Last Stories, which was meant to have been pulped after the author's death in 1937 but a few of which escaped the shredder. Also, now I think about it, Bryher is linked in my mind with Hope Mirrlees and Alice B. Toklas, all being in some sense the talented but junior partners in their respective relationships with other women, at a time when it was largely necessary to design and build that ship as you were sailing it. Probably this is a facile comparison - but the association is there, for better or worse.
Anyway, this entry is mostly to recommend people who share my liking for accounts of
low-tide walks and of
drowned lands to listen to today's
Open Country, which documents a walk across the once-inhabited landscape between Tresco and Bryher, now usually hidden by the estranging sea but revealed at spring low tide. I like to think that both Bryher and HD - that most archaeological of poets - would have enjoyed it.
(no subject)
Date: 2014-04-24 05:23 pm (UTC)Bryher in her lifetime with H.D. seems to have been well-known and well-regarded, but she's definitely the shadowy secondary by now. I don't think any of her novels are currently in print—I only read Visa for Avalon because I found a ten-year-old reprint in a used book store—and her poetry is sufficiently out of copyright to appear on the internet, which on the one hand makes it very easy to point people toward and on the other makes me worry I'll never find a hard copy of Arrow Music unless I print it out myself or have a lot of cash to spare. And her poetry is amazing. Visa for Avalon is like the secret source text of a certain strain of fantasy. Her two early semi-autobiographies Development (1920) and Two Selves (1923) are beautifully written, simultaneously evocative and analytical (selecting at random—that's exactly how reading works as a child). I realize I'm evangelizing where you don't need it, so I think I will just agree that Bryher should not be as obscure as she is—as a novelist, as a poet, as a filmmaker and critic, as a woman with a complex gender identity that she wrote about—and I'd love to see a serious effort made to bring her work back into view; it deserves it.
I have a very difficult time seeing Hope Mirrlees as junior to anyone, but I read Lud-in-the-Mist before Prolegomena.
Anyway, this entry is mostly to recommend people who share my liking for accounts of low-tide walks and of drowned lands to listen to today's Open Country, which documents a walk across the once-inhabited landscape between Tresco and Bryher, now usually hidden by the estranging sea but revealed at spring low tide.
If it stays streamable until I get home tonight, I will!
(no subject)
Date: 2014-04-24 06:03 pm (UTC)(no subject)
Date: 2014-04-24 07:06 pm (UTC)(no subject)
Date: 2014-04-24 07:05 pm (UTC)I have a very difficult time seeing Hope Mirrlees as junior to anyone
I know what you mean! But there was 37 years between her and Jane Ellen Harrison - and Lud-in-the-Mist came out only two years before the latter's death, Harrison was always the senpai, I think.
All R4 programmes are streamable for a week, at least - sometimes indefinitely.
(no subject)
Date: 2014-04-24 08:43 pm (UTC)Yes, so do I. And after her death, Mirrlees did not take up her mantle (I don't think T. S. Eliot as paying guest counts as a protégé). Indeed, she seems to have broken her staff and drowned her book when her Great Bear died. Some problem with figure and ground.
Nine
(no subject)
Date: 2014-04-24 07:42 pm (UTC)(no subject)
Date: 2014-04-24 08:19 pm (UTC)(no subject)
Date: 2014-04-25 10:41 pm (UTC)