[syndicated profile] tim_harford_feed

Posted by Tim Harford

How are you doing? Well, I hope, despite everything. And if you are, then you are just like all the friends and colleagues who sent me messages at Christmas, all of them claiming that they were also doing just fine, also despite everything.

The contradiction here is worth exploring: I’m fine, you’re fine, they’re fine, but this [pauses to gesture vaguely at the universe] is a disaster. It may be because my friends are all fortunate people, shielded from the miseries of reality, and it may be that they are putting a brave face on their secret suffering. But it may also be that there is a curious mismatch between our contentment with our own lives and our despair about the lives of others.

It would be useful to have more systematic data on this mismatch and a decade ago the pollsters Ipsos MORI gathered some. They asked people across 40 countries how many of their fellow citizens would say they were “rather happy” or “very happy”, then compared these guesses with reality as measured by the World Values Survey.

The difference was stark. Most people told Ipsos MORI they were worried about their compatriots’ wellbeing, and yet most people who spoke to the World Values Survey were pretty sunny about their own happiness.

In the US, 90 per cent of people said they were “rather happy” or “very happy”, but guessed that fewer than half of their compatriots felt the same way. The situation was much the same in the UK. In South Korea, again, 90 per cent of people said they were happy — but this near-universal good cheer didn’t stop the Koreans estimating the happiness of other Koreans at 24 per cent.

Canada and Norway were most optimistic in the Ipsos MORI data about the happiness of other people, believing that 60 per cent of their fellow citizens would say they were, at least, “rather happy”. But those cheery guesses were not only lower than the reality in Canada and Norway, they were also more pessimistic than the country with the gloomiest actual outlook, which was Hungary, where 69 per cent of people said they are rather or very happy. This gulf between our individual optimism and our gloominess about others is very wide indeed.

Sadly, Ipsos MORI has not repeated this decade-old exercise but in a recent essay Hannah Ritchie, author of Not the End of the World, has assembled numerous instances of this individual contentment contrasting with pessimism about others.

For example, for about a decade of data in the US, the Federal Reserve has asked people about their own finances, their view of the local economy and their view of the national economy. Year after year, people were much more positive about their own finances than about their local economy and much more positive about their local economy than the country as a whole.

Internationally, residents in almost every nation surveyed were more likely to tell pollsters that 2025 was “a bad year for my country” than to say “it was a bad year for me and my family”. (The exceptions were Singapore and India.) More than 75 per cent of British people said it was a bad year for Britain but fewer than 45 per cent of Brits reckoned it was a bad year for their own family. Likewise for the future: “58 per cent of Brits are optimistic that 2026 will be a better year for them,” explains Ritchie, “but only 32 per cent think that Brits overall will start to feel more optimistic about the country’s long-term future.” I suppose it is logically possible for Britain to have a bad year even while most Brits have a good one, but it seems more likely that the contradiction reflects some kind of glitch in the way we think.

People focus on different issues when assessing how things are going. In late 2024, 32 per cent of British respondents told pollsters that immigration was one of the most important issues facing the country, but only 4 per cent said it was an important issue for them personally.

It is striking that these gaps are so wide and so consistent across topics. So why do they exist and does it matter? The most plausible explanation is our information diet. We may selectively remember or interpret our own experience, but we are at least starting from a (narrow) ground truth.

Take crime. The Crime Survey of England and Wales shows that crime has been falling for decades. For what it’s worth, my own experiences of being a victim of burglary, theft and arson tell the same story — they all took place more than 25 years ago.

Yet somehow when I turn on the evening news, people are still out there doing crimes. The crime rate may be trending downwards but there’s always some newsworthy crime somewhere. Social media probably isn’t helping, either. Hence the weird discourse on X from people (or bots) who have never been to London about how London is a dystopian hellscape.

Beyond the issue of crime, we inevitably get our information about the nation and the wider world through some kind of media, which will always prioritise the dramatic and the controversial. Information about our own lives is largely unmediated.

There is also the question of control. The economist Johannes Spinnewijn once studied the beliefs and behaviour of job seekers and found that, in general, they were too optimistic about their prospects and too pessimistic about their ability to change those prospects. Seeing the world through “baseline optimism and control pessimism”, they expected to find a job quickly, didn’t hustle hard enough, and were disappointed. The minority of people who were pessimistic about the situation but optimistic about being able to change it looked harder and found the next job faster. The paranoid survive.

Spinnewijn’s distinction between baseline optimism and control optimism is useful. When should we feel most optimistic about being able to influence events? Not when rage-tweeting about an outrage on the other side of the world, but when we are acting close to home. Day-to-day reality offers us a chance to be optimistic both about the baseline and about our opportunity to improve it.

Our digital lives push us in the other direction. The destruction of local news and the rise of social media means that our news consumption is increasingly focused on national and global events — precisely the spheres of life where we are gloomiest. This is corrosive. Spend 16 hours doomscrolling and you may well conclude the end times are here; spend 16 hours living your life and things might not seem so bad.

Written for and first published in the Financial Times on 28 Jan 2026.

I’m running the London Marathon in April in support of a very good cause. If you felt able to contribute something, I’d be extremely grateful.

Keeping track of the details

Feb. 26th, 2026 01:55 pm
heleninwales: (Default)
[personal profile] heleninwales
The GYWO challenge is working well for me and I'm glad I chose the habit pledge rather than word count. Although adding words to the draft is fundamental to writing a novel, there is much more to the process than that. There is revising of course, but there's all the organising and tracking too. I've created a database of all the characters in the fantasy trilogy. So far I've listed 72, but they're not all in there yet. So far only those who appear in the final book are included. I'll add the remainder as I begin to revise Book 1 and work my way through the whole thing. I also have a very sketchy map of the country showing the places where events happen and the distances between them. These planning and tracking activities take time and the habit pledge means I can count them for the challenge.

However, right now I'm struggling with writing a transition. There are some exciting scenes to come, but there needs to be what I always think of as a "joining bit" where the characters are very busy, but it's all boring planning meetings and making preparations. I find transitions particularly difficult to write and make interesting.

Hell’s Heart by Alexis Hall

Feb. 26th, 2026 08:37 am
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


What better cure for melancholy than to serve under a captain whose obsessed pursuit of a leviathan will surely doom all involved?

Hell’s Heart by Alexis Hall

Book Review: Post Captain

Feb. 26th, 2026 08:04 am
osprey_archer: (books)
[personal profile] osprey_archer
At the beginning of Post Captain, right on the cusp of a big sea battle, peace is inopportunely declared. Fortunately for Jack Aubrey, he is extremely flush with prize money, so with his particular friend Stephen Maturin he rents a country house, enters local society, and meets a family of pretty sisters (plus one beautiful young widowed cousin).

I had just settled in for a reverse Austen novel, told from the point of view of the naval captain rather than his young lady, when Jack’s prize agent absconds with all his money. Jack, eleven thousand pounds in debt, flees to the continent with Stephen in tow - just in time for war to begin again!

This is all in the space of about four chapters. At this point I concluded I had better not settle in for anything at all, as we were clearly in for an ever-shifting picaresque novel.

In this book:

Stephen disguises Jack as a bear so they can flee from hostile France to still-neutral Spain.

Jack is subsequently so ill that Stephen has to nurse him back to health, which takes place entirely off page, because O’Brian could not care less about hurt/comfort.

Other things O’Brian can’t care less about? Spy plots. Stephen has become a hotshot spy for British intelligence and spends months in Spain gathering intelligence, which entire trip O’Brian disposes of in three paragraphs.

However, Stephen’s spy shenanigans allow O’Brian to skip the entire sequence during which Jack gets not-engaged with a girl whose mother won’t let her enter an engagement with a man who is eleven thousand pounds in debt, but emotionally they’re basically engaged.

So if O’Brian has cheerfully skated over hurt/comfort, spying, and romance, what IS he writing about?

Well, at one point Stephen declares that he has “a horror of appearing eccentric,” and asks worriedly whether it would make him look weird to practice swordplay on deck. (It will not, the captain of the marines assures him.)

(A few chapters later Stephen, the man who has a horror of appearing eccentric, shows up on Jack’s new ship wearing a wool onesie and carrying a glass hive of bees. The bees promptly invade the morning cocoa.)

Stephen and Jack almost have a duel but then it just kind of fizzles. They seem to have simply forgotten about the duel without, at any point, formally deciding not to duel.

The debt collectors catch up with Jack but fortunately he’s out with a bunch of officers from his ship so they turn the tables on the debt collectors and impress at least two of them into the navy. Ha-HA, take that debt collectors!

Oh, and obviously we DO finally have a sea battle at the end. We may not need spying or hurt-comfort but we MUST have a sea battle.

SGA: Do Over by crysothemis

Feb. 27th, 2026 12:37 am
mific: (McShep his fault)
[personal profile] mific posting in [community profile] fancake
Fandom: Stargate Atlantis
Characters/Pairings: John Sheppard/Rodney McKay
Rating: Explicit
Length: 18,910
Content Notes: No AO3 warnings apply
Creator Links: crysothemis on AO3, nny (villainny) on Audiofic Archive
Themes: Inept in love, Friends to lovers, First time, Humor, Pining

Summary: John never sleeps with anyone twice.

Reccer's Notes: Rodney (who's attracted to John) bumps into a few women, and then Ronon, leaving John's quarters. He clumsily asks John about these goings on, and mostly accidentally challenges John to have sex with him (because why not with Rodney if everyone else gets to?). It doesn't go swimmingly so Rodney demands a do-over, then another do-over, and another, because there's always something wrong with their encounters. This is partly as Rodney's bisexual and he mistakenly thinks John must be as well, and Rodney also manufactures "mistakes", until they're both entirely hooked and John's joining in with the pretense enthusiastically. It's hot, funny, and clever - a great read.

Fanwork Links: Do Over
And there's a podfic by nny

siderea: (Default)
[personal profile] siderea
Canonical link: https://siderea.dreamwidth.org/1897060.html

[Content Advisory: info that may be US government classified and controlled unclassified info leaked to news outlets, within. Actual status is unclear to me.]



Cuba has been effectively under siege by the US since at least January.

The US has cut off all Cuba's access to fuel imports. The situation is getting increasingly desperate. And a bunch of things just happened today. Yesterday, by the time I post this.

The US seized Venezuela January 3. Venezuela had been one of Cuba's two primary sources of oil, and once the US had control of Venezuela, the US halted shipments of Venezuelan oil to Cuba. Cuba's other main supplier of oil was Mexico, and on Jan 27, Mexico announced it was suspending oil shipments to Cuba. The Mexican president was evasive when asked point blank if the Trump administration was pressuring them into it, but Mexico has a critical trade deal with the US coming due for renegotiating, and dare not antagonize Trump.

Two days later, Jan 29, Trump issued an EO threatening any country that ships oil to Cuba with tariffs.

Apparently, there has been, since around that time, an undeclared US naval blockade of Cuba, to prevent oil shipments from getting through. The Trump administration hasn't admitted it, but Jan 23, Politico published a report that three anonymous sources in the Trump administration said that the administration was considering a "total blockade on oil imports" to Cuba, and a few days ago the NY Times published an analysis of ship movements in the Carribean indicating that there was indeed a naval blockade.

Cuba has received no foreign oil since its last shipment from Mexico Jan 9th.

As of Feb 3, the Financial Times was reporting that a consultancy was reporting that Cuba had "15 to 20 days" of oil left. Feb 5, the UN Secretary-General spokesperson issued a statement about a humanitarian disaster looming in Cuba.

Cuba of course did what it could to ration oil, but without enough of it, things began to fall apart. They started running out of fuel for cars, public transit, trucks to ship in food, garbage trucks to take the trash, and tractors to harvest crops. Cuba primarily generates electricity from oil-burning power plants so the electrical grid started failing and they started having blackouts. People have been cooking with whatever they can burn in the streets; there is no reliable refrigeration. Of course, they are also running out of food, and have difficulty accessing water. All elective surgeries have been canceled.

Feb 8, Mexico sent a delivery of humanitarian aid – 814 tons of food and hygeine supplies – to Cuba, to arrive later that week. This doesn't violate the US sanctions. Probably.

Feb 9, Cuba notifies all airlines that fly to Cuba that Cuban airports are running out of fuel and they will no longer be able to refuel in Cuba; Air Canada announces it's suspending flights to Cuba and sending empty flights to rescue Canadians in Cuba. Canada has been the largest source of tourists to Cuba, and the tourism industry is one of Cuba's main sources of foreign currency, without which it basically can't engage in international trade.

Also Feb 9, Mexican president Sheinbaum publically called the US's sanctions on Cuba "unjust" ["muy injusto"] for how they impacted the people of Cuba and pledged to keep finding a diplomatic solution with the US to get to ship Cuba oil.

Feb 13, the Ñico López oil refinery in Havana, Cuba, had a fire. The Cuban government reports that it was swiftly contained, and that the refinery continues to function, but that an investigation was opened into its cause.

Feb 22, shipping analysis firm Windward announced that they'd detected a Russian tanker (subsequently identified as The Sea Horse by Kplr) headed from the Mediterranean to Havana, likely carrying oil, putting it on a track to directly challenge the US Navy's blockade. It is due to reach Cuba in early March.

Feb 23, Canada announced it would be sending some sort of relief supplies to Cuba, but was cagey about just of what those supplies would consist.

Today, Feb 25:


The commenter VisualEconomik EN on YT argued today that Russia is unlikely to go to the mat for Cuba, for a variety of reasons, including that Russia is economically over-extended by its war in Ukraine; he also contends that Russia and China have no more patience for Cuban mismanagement and despite the tactical military advantage having turf within 100 miles of the US coastline, they're kind of done with dealing with Cuba's government. As to whether this is true, I can't say, but it sounded reasonable. This is good news if true, because otherwise, if either wanted to back Cuba against the US, this could be the match that sets off the powderkeg.

News sources and further reading below, in chronological order of publication [6,690 words] )

This post brought to you by the 226 readers who funded my writing it – thank you all so much! You can see who they are at my Patreon page. If you're not one of them, and would be willing to chip in so I can write more things like this, please do so there.

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Paradise Season 2, episodes 1- 3

Feb. 26th, 2026 11:38 am
selenak: (Bruce and Tony by Corelite)
[personal profile] selenak
Last year I marathoned the very well made series “Paradise” (Hulu in the US, Disney + for the rest of us), but was quite torn about whether or not I was happy regarding the announcement of a second season due to the show’s success. It seemed to me the first season told a mostly self contained story and the premise would lose its key ingredient in a second season. Also, there had been a couple of shows which were terrible when more than one season was greenlighted because they clearly hadn’t planned for it. Otoh: nitpicks aside, I did love Lost, which made a pretty radical premise change and pulled it off. And the first season of Paradise had been pretty perfect for what it was. So I watched. And based on the first three episodes now released (and there is a reason why the first three came together, more beneath the spoiler cut), I am happy to report that it looks like I was wrong in my fears. Those three eps are excellent.

Spoilers are now all pumped up and ready… )
tamaranth: me, in the sun (Default)
[personal profile] tamaranth
2026/029: Bread of Angels — Patti Smith

How can we leap back up? Get back on our feet, grab a cart, and start gathering the debris, both physical and emotional. Crush it into small stones, then pulverize them and as the dust settles, dance upon it. How do we do that? By returning to our child self, weathering our obstacles in good faith. For children operate in the perpetual present, they go on, rebuild their castles, lay down their casts and crutches, and walk again. [loc. 2494]

Another memoir from Patti Smith, author of Just Kids and M Train (the latter of which I have not read). Bread of Angels (the title refers to 'unpremeditated gestures of kindness') covers Smith's childhood, her years as a pioneering punk artist, and her 'walking away' from success to have a real life, marrying Fred 'Sonic' Smith and having children.Read more... )

Wonder Man

Feb. 25th, 2026 11:57 pm
sholio: sun on winter trees (Default)
[personal profile] sholio
I watched this over the last couple of days. (8 30-minute episodes on D+.) It's really unusual - not like anything else in Marvel's backlist. Somehow it felt like it belonged to a different era, like the type of superhero show that might've been made in the 70s or 80s. It's a comedy-drama-satire about two out of work actors trying to get a role on the superhero movie Wonder Man, which (in universe) is a remake of a cult hit show from a few decades ago. And that's about 90% of the plot. There is SOME other stuff going on which provides a superhero-related throughline for the movie, namely
spoilers for things revealed in the first couple of episodesone of the actors (the protagonist) actually does have superpowers and is hiding it because in the MCU, super-powered individuals have to carry insane amounts of liability insurance to work in Hollywood and no production would hire him; and the other is spying for the government. So obviously both of these things provide the show's main sources of will they? won't they? who'll find out? tension.


But mostly it's just an indie-ish show about being an actor. It's unglamorous, it's full of slow-paced scenes of people doing ordinary things, trying out for parts, dealing with petty professional jealousy and eccentric directors, having long conversations in cars. The staging and lighting and the very ordinary-looking supporting characters are all more art-film than Marvel movie. It's about people who love movies both personally and professionally, and know them inside and out. It's at least partly framed around Midnight Cowboy, at a showing of which the two protagonists meet, and it's also framed around beats from the script for the Wonder Man movie that the two are memorizing and acting out scenes from. At least some of the actors on the show are simply doing cameos as themselves, in the form of people that the protagonists might have plausibly run into in their careers.

I wasn't on board with every creative choice the show made, and in fact I sort of went back and forth between episodes on whether I actually liked it all that much (though I was sold by the end), but it's fascinating and thoughtful and interesting and a bit unpolished-feeling in a way that Marvel productions never feel anymore. In fact, the naturalistic dialogue and slightly clumsy/awkward way the characters relate to each other felt real enough that I would sometimes stumble a bit when it would hit a more typical Marvel beat, as it sometimes does, because it felt a little out of place.

I'm legitimately unsure who the target audience for this show is, and maybe so were Marvel's TPTB. I'm honestly surprised it got made at all.

Some actual spoilers )

It made me remember how, in the early days of the MCU, it felt like the movies were all doing something different and being something different, and then they just all kinda came to feel like the same thing. This one is doing something different and being something different - in this case: 1970s arthouse film - and even if I wasn't on board with everything, I liked what it was doing and being.

fallow

Feb. 26th, 2026 12:01 am
[syndicated profile] wordsmithdaily_feed
adjective: 1. Inactive or unproductive. 2. (Of land) left to lie idle for a season, sometimes after plowing. noun: 1. Land left to lie idle to restore its fertility. 2. The act of plowing land and leaving it unseeded. verb tr.: To leave unseeded.

knackered

Feb. 26th, 2026 12:00 am
[syndicated profile] merriamwebster_feed

Merriam-Webster's Word of the Day for February 26, 2026 is:

knackered • \NAK-erd\  • adjective

Knackered is an adjective mostly used informally in British English to mean “very tired or exhausted.”

// Unfortunately, I was too knackered after work to join them for dinner.

See the entry >

Examples:

“‘How are you doing?’ ‘Yeah, good thanks... just tired.’ I don’t know about you, but it feels like I’m having a version of this exchange at least once a day. It seems that everyone I know is genuinely and profoundly knackered. My friends say it. My postman says it. My teenage son says it. Even my partner, who usually has the energy levels of a Duracell-powered soft toy, grudgingly admits his batteries are drained.” — Sara Robinson, The Western Mail (Cardiff, Wales), 22 Nov. 2025

Did you know?

An apt synonym for knackered might be the phrase “dead tired” for more than one reason. Knackered is a 20th century coinage that comes from the past participle of knacker, a slang term meaning “to kill,” as well as “to tire, exhaust, or wear out.” This verb knacker likely comes from an older noun knacker, which first referred to a harness-maker or saddlemaker, and later to a buyer of animals no longer able to do farmwork (or their carcasses). Knackered is used on both sides of the Atlantic but is more common among British speakers.



Talking Meme Month - day 25

Feb. 25th, 2026 08:57 pm
hafnia: Animated drawing of a flickering fire with a pair of eyes peeping out of it, from the film Howl's Moving Castle. (Default)
[personal profile] hafnia
talk about a TTRPG system other than Dungeons and Dragons

Easy — there's a number of them I like. Blades in the Dark and Monster of the Week/Thirsty Sword Lesbians/Apocalypse World/every other PbtA game out there come to mind, as do some lovely GMless indie ones (Stewpot! Rusalka! Fiasco! The Quiet Year!), BUT.

Honestly, okay, the top complaint I get about tabletop?

"I don't want to play online, I don't want to play with strangers, and I don't know anyone offline that wants to play with me, where do I even start?"

The answer for that is:

SOLO GAMES.

There's a bunch. I'm not talking about the weird D&D hacks, either, though those do exist (and I don't recommend them!). Solo tabletop as a genre has expanded a lot and there's a bunch of wonderful stuff out there now. I've played a few, but my favorite, by and large, is Thousand Year Old Vampire.

In TYOV, you play as a vampire made sometime in history. You pick when, give yourself a handful of possessions, and then roll dice and respond to prompts to figure out what happens to you. Do you survive and thrive, or do you die? What do you remember, what do you forget, and how do you adapt to being a vampire? It's extraordinarily well-done, and unlike a lot of journaling games, which can feel like writing prompts, it manages to capture the experience of roleplay extremely well. I played it for the first time a couple of years ago, and ended up documenting what happened to a Roman peasant girl as she lived through the collapse of the empire and into the Middle Ages. Some of the choices I was faced with and things that my character had to do were among the hardest I've ever made as a player, and it required a great amount of consideration and thought to move from point A to point B. The game broke my heart (in a good way), and I highly recommend it. It is, to this day, one of my favorite games. ♥



In non-Talking Meme Month news: reveals happened for the January round of a remix exchange I'm involved in, so I now have something new on AO3 that is (surprise!) not rated E.

And I Awoke on the Cold Hill's Side (rated T, 7.5k words) is a love letter to growing up queer in Salt Lake. It's set around the time that I would have been in undergrad. It's not perfect (what is?), but I hit the mark for what I set out to do, and, well, yeah. People familiar with the valley can probably pinpoint exactly which warehouse I'm talking about for where the party toward the middle of the piece takes place.

...I also have another piece up that is, uh, rated E. Slaying the Dragon (E, 14k words) is about grief and how we recover from it and come back to ourselves. It's set in the same universe as The Road Through the Mountains, though it's obviously not the same characters or set-up, and no familiarity with it is required. ♥


Not much happening. Have thus far been ghosted or rejected by every job I've applied to. I feel mostly okay about that. I have some freelance work lined up for the fall (we're drawing up contracts), so I am perhaps less worried about money coming in than I should be. Still noodling on various and sundry stuff; been dealing with some pretty awful chronic pain things lately so that's taken most of my focus, and I'm trying to like, gently remind myself that I can in fact take this time to simply Be and not worry about, you know. Everything.

talking about FOSS/software stuff, probably not interesting to most people. )
mxcatmoon: Miami Vice Trudy (MV 13 Trudy)
[personal profile] mxcatmoon
First part was written and posted for the prompts, Futile, stoic, at [community profile] vocab_drabbles
Title: The Heart Makes its Own Choices
Fandom: Miami Vice
Author: Cat Moon
Rating: PG
Words: 2314
Characters/Pairings: Rico, Trudy, Rico/Trudy friendship, and Rico/Sonny
Summary: As Sonny fights for his life after being shot, Rico tries to deal with his emotions on his own. Trudy isn’t having it.
Notes: 1. It struck me that Trudy stayed close to Rico during “A Bullet for Crockett,” and they had that lovely mutual comfort scene. I’ve been wanting to do something with Rico and Trudy for a while now, so this was born. I can’t lie; it didn’t turn out the way I’d planned. It turned out the way it wanted to.
2. I probably took some liberties with the timeline of the episode, for story purposes.
3. Wicked Game came on Spotify while I was writing this, the words were perfect, and it’s almost the right year, 1989.
The-Heart-Makes-its-Own-Choicesb_smaller.jpeg

The Heart Makes its Own Choices )

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